At the end of February, amid the ever-persisting Heated Rivalry craze, an article was published for New York Magazine called “The Great Fujoshi Awakening: Why Do So Many Women Love Men Who Love Men?” In the article, the author made very specific references to works of fanfiction online, going so far as to link one of the works within the article. There was immediate public outcry by fans on Twitter...

How Dennis the play twists classical framework into a charged, imaginative, fever dream.

Thankfully, I was fortunate enough to visit Circus Academy New York and sit down with circus artist and coach, Rianna Brennan—who took a leap of faith by agreeing to chat with me and familiarized me with all that circus artists like herself have to juggle.

From the costumes to the set design, to the songs and story, it screams opulence and desire.

There’s nothing that makes you more inspired (and slightly spooked) than a story about identity, the self unknown, regret, and unrequited love (my personal favorite “big three” for delightful nightmare topics). Leaving La MaMa theater after watching The Iguana Becomes Marco in its short run was just like that: a delightful nightmare. Maybe one that you want to end at times but you’re too invested in the rich content of its plot to wake up, definitely one you won’t forget.

Blissfully mundane yet quietly chaotic, The Jag invites audiences into a world where anxiety—both pre-existing and born from messy interpersonal dynamics—becomes its own driving force. Written by Robin Schavoir and directed by Paul Felten, the production's two week run at the Brooklyn Center for Theater Research unfolds as a series of tension-driven events that feel randomly niche and profoundly universal. At its core, The Jag follows Tyler (played by Gilles Geary), a trouble-bound and...

Neimann, the newest cast member of Hamilton, got open and honest with us about past projects, grief, rejection, and even plans for the big screen.