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NYC’s newest rap group, WHATMORE, is an eclectic 5-piece consisting of high school friends, Cisco Swank, Yoshi T, Sebastiano, Jackson August (Vocals), and Elijah Judah (Producer). The group, serving as native New Yorkers, draws inspiration from everyday experiences, bridging their community and craft. It’s these urban experiences that have drawn in listeners all across New York. Although the group has gained a lot of traction, the members all state their identity as  “just a group of guys who make music .“ Meanwhile, WHATMORE is recasting traditional rap standards and heavily amplifying the Alternative Rap game.    



47Magazine had the opportunity to chat with WHATMORE as they cover topics surrounding their debut album, their collective sound as a group, and preparing for their first tour. 


This interview was conducted in person and has been edited for clarity.


[Harmony Robinson]: Which music video did you have the most fun filming?


[Sebastiano]: I definitely had the most fun filming the “chicken shop date” video. We filmed in the middle of the night, around 1:00 am. We had live chickens. Random people were coming in from the club next door just to check out what was happening. It was an unforgettable time, for sure.


[Cisco]: Lowkey, I would say the “eastside” video was actually kind of fire. We were on a bus, and everyone around was growing really tired of us, and we had to focus on dodging stop signs-


[Yoshi]: Don’t forget about those lights!


[Cisco]:  Yeah, we almost died. Not joking. 


[Yoshi]: My favorite was “Jenny’s” because we got to ride on The Cyclone twice.


[Jackson]: I gotta go “Chicken shop” with Seb. That might have been one of the wildest nights of my life. On top of filming with live chickens, we had some crazy interactions. People were coming off the street to see what was going on. Shoutout to the chicken shop; everyone who worked there was so chill.


[Elijah]: I agree. “Chicken shop” was definitely the craziest. 


[HR]: What's been the hardest part of creating the album, and what's the creative process behind it?


[Sebastiano]: Honestly, I don't even say there's a hard part, because making music with Whatmore-the homies-is easier than doing it by yourself. We just all get in a room together. Elijah's the glue to everything. We throw down ideas on whatever was produced, and it's like a puzzle piece after that, putting it together, figuring out where the verses and hooks go.


[Cisco]: Yeah, the hardest part for me was going into a rural area and making it because I don't like leaving New York. But as far as the creative process goes, Elijah makes a beat, and we all start rapping.


[Yoshi]: The creative process is mad fun because, honestly, it's like nothing I've ever done before. We create a 16-bar loop, record over it, and then, as Seb mentioned, it becomes a big puzzle piece. It's like, oh, this is the verse and this is the chorus. When you make music alone, you write it fluidly and it makes sense, but when you have five other people, you never know what someone’s going to do. So I might think I have the hook, but then it's like, oh, no, wait, this is just a fire post-chorus. Then someone else chimes in with, "Let's try this and try that," and it just works.


[HR]: Congrats on playing Coachella and opening for LAUNDRY DAY! How are you guys navigating the nerves of performing for such large crowds?


[Yoshi]: So the way we're preparing to perform for Coachella is every day we get together and we spend like 7 hours watching Bey-chella on repeat. Every. Single. Day. Then we pray to Queen B.


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[HR]: With everyone being from such different musical backgrounds, how did you all converge your different ideas onto the album? Upon listening, do you think there’s a uniform sound or is it a blend across genres?


[Cisco]: The thing is, we all listen to different stuff, like Elijah and I, even though we don't look like the indie kids of the group, we listen to some alternative music. All of us listen to whatever. Jackson listens to hip hop-he loves 21 Savage. Seb listens to K-pop,


[Jackson]: -I do love 21 Savage.


[Cisco]: So it's blended from our primary inspiration at the top of different genres, but it's just an easy mesh cause we all listen to different things. 


[HR]: I've been loving the visualizers you all have been putting out; it really feels like fans are navigating the music industry alongside you. What's one piece of advice you give to those just starting?


[Cisco]: You gotta go to Patrick, our videographer, for that one.


[Patrick Linehan ]: Find friends that you like making stuff with, and just start doing it. Don’t make excuses and don't be afraid to ask. You gotta be good at being told no.


[Jackson]  My biggest thing was don’t be afraid. This is so corny, but don't be afraid to fail. Don't be afraid to be corny. I feel like we've been failing and being corny for so long, with videos that no one saw because they were bad. We put in years of just doing that, and then eventually you get to a point where it’s like, oh, wait, like, this is kind of good; and I feel like we're still working at that, obviously.


[Yoshi]: Our videos aren't corny. They're compelling.


[Jackson]: You're not going to be amazing at first, so don't be afraid to f****** fail. 


[Cisco]  Also, take everything with a grain of salt. Everyone's gonna have an opinion. Appreciate the opinions of people above you, but if you think something's fire, you gotta stand by it. 


[HR]: What's one thing you want audiences to take away from the album?


[Elijah]: I just want people to feel like they know us a little better. I think that’s really the biggest thing. I want people to feel comfortable coming up to us and saying hi. I want people to talk to us about the music and how it influenced them. I want to know what it made them think and feel. 


[Cisco]:  We are regular people who love music, and today's the day, not tomorrow, not next week, lock in. 


[Jackson]: We are people. We're out here on the street, come say what up to us. That’s it, Whatmore 2025, we’re here!


Written by Harmony Robinson 

Photographed by Shane Allen & Razi Faouri


Listen to the album here and grab your tour tickets here!



Meg Elsier’s Milestone Moment at Baby’s All Right


Rising Indie-Rock artist Meg Elsier delivered an unforgettable performance at Baby’s All Right in Brooklyn, a milestone in her journey, marking her first solo show since relocating from Nashville. As the opening act for UK artist and producer Martin Luke Brown, Meg set the tone with an opener that surely left the audience eager to learn what’s next for NYC’s newest rockstar. Meg captivated the audience with her tender vocals, authentic lyrics, and unbeatable charm as she performed a variety of unreleased tracks. 


Meg's introduction into her set was composed of soothing and painstakingly written lyrics, bringing a sense of melancholy into the crowd. From the start, she had everyone in awe as the dreamy vocals of “Dograng out. Her voice–so delicate, it could sit on a single flower petal. 


She then transitions into a group of songs that really unveil her mission as an artist: providing a collective and connected experience through music. This mission manifests as Meg lets the audience in on her innermost feelings and most vulnerable thoughts. In fact, Meg introduces her song “Mean,” and with a smirk, she jokes, “I’ve figured out the meaning of life, and if you listen closely, you’ll figure it out too.” The song itself wrestled with themes of solitude and existential reflection. Her delivery was raw and angry, with the repeated lyric “no reason to it” highlighting a yearning for clarity in a world that often lacks it. 



As the final chords of “Mean” faded, a quiet vulnerability lingered in the room, one that Meg seamlessly carried into her next track and fan favorite, Sportscar.” Where “Mean” drowned in hopelessness, “Sportscar” gently searched for meaning in memory. The song explores the complex transition between adolescence and adulthood. With the repetition of lyrics like 'How'd I'd get older,' “Sportscar” serves as a coming-of-age anthem for anyone reminiscent of a time without worries or responsibilities.

 

Meg has perfected the art of missing something that has never missed her. Wrapped up in nostalgia, Meg played another unreleased track, “New England,” a song that now has a permanent place in my heart. The song serves as a bittersweet goodbye to her hometown in Boston. With lyrics such as “the lawns too green,” this song is full of relatable imagery such as perfectly manicured lawns, 9-to-5 routines, and a town that feels both too familiar and too small. The track captured both the claustrophobia and comfort of growing up in a place that’s shaped the person you’ve become.


After leaving the audience deep in self-reflection and existentialism, Meg closed with another breakout track, “ifshitfuq.” The slow-burning buildup of the song got the crowd moving, as upbeat rock and emotionally charged lyrics rang out. Meg sings with raw conviction, as lines such as, “I never thought I was special / But I thought I’d do more,” echoed through the crowd, striking a chord that felt both personal yet targeted. 


Meg Elsier’s show at Baby’s All Right proved she’s not just being noticed; she's being remembered. With a blend of dreamy, shoegaze-inflected vocals and down-to-earth lyricism, Meg serves as a reminder to accept the tender, lonely, growing parts of ourselves. 


Catch more of Meg here and continue to stream her music


Written by Harmony Robinson

Photographed by Supriya Raj



Photo Credit: Adriana Rivera
Photo Credit: Adriana Rivera

Seeing an artist live that you know will make it big one day is truly something special. On August 16th, at the Sultan Rooftop in Brooklyn, I had the pleasure of experiencing Pearl live. A hot sunny day led to a perfect evening rooftop show filled with excitement and great music.

 

Pearl, also known as Hope Waidley, originally from Michigan, moved to LA at 20 to dedicate herself to her career in music. Traveling with her sister, Clara Waidley, throughout the country, trying to find a sense of stability amidst the craziness of performing and moving around. She is a singer-songwriter who’s passionate about writing songs full of vulnerability from her experiences, accompanied by breathtaking vocals. Listening to her music, you hear her stories sonically, told through bold lyricism and intriguing instrumentals that draw influences from older alternative rock. 


My own discovery of Pearl was through TikTok, her user @unaestheticsurferpearls, where she posts candid videos, promotes her music, or famously, surfs in platform heels. The promo for her single “No Man” caught my attention, a song about the importance of wanting to be independent and separate from a man. Not relying on them to feel good or valuable, but rather finding that value within yourself. Once the song was released, I knew Pearl was an artist I would continue to love. Her raspy vocals, emotional delivery, a very 70s rock-inspired sound, and vivid lyrics captivated me. 


Arriving at the venue and seeing fans all dressed in the same style as Pearl was heartwarming. Micro shorts, cheetah print, eclectic jewelry, and heels surged on the rooftop. Not only does this show the love and appreciation for Pearl, but it also shows the community that is brought together. This has become one of my favorite things about going to concerts recently. There is a certain aesthetic to an artist that fans see, then show up and show out for them!


As her band began playing, Pearl danced with fans before getting on stage to sing “I Like You But.” A small gesture connecting her to the audience. The energy at just the first song foreshadowed the rest of the show's liveliness. She jumped around the stage, whipping her hair, then introducing the crowd to her vocals. While mesmerized, we all jumped and sang along with her. Onto the second song, “Hungry,” which showed her range in style and stage presence. More of a groovier track, Pearl’s yearning vocals blended beautifully with the instrumentals.


“Fuck It Up,” released earlier this year, further proved how much she loves engaging with the audience while performing. Letting the crowd sing the chorus and dancing along with us. Pearl’s band went nuts, showcasing their individual talents. Drummer Devin Robinson keeps a steady beat as the lyrics speak for themself, and guitarist Kyle Blackman and his guitar solo command the stage.

Photo Credit: Adriana Rivera
Photo Credit: Adriana Rivera

An unreleased track, “Groupies,” continued with that 70’s rock vibe, with Marley Striem showing off deep bass lines blending along Blackman’s riff-driven guitar, creating a harmonious blend of grooves. Robinson thundered behind Pearl, sonically emphasizing her eccentric dancing and headbanging. 


The fifth track, “Wonder,” truly displayed Pearl’s ease in switching from a more upbeat, exciting song to a slower, more vulnerable side of her discography. With raw lyricism, her vocals shone during this performance. Emotion was palpable with every line she sang. So much soul in her delivery, with just an outright beautiful melody. Then, a bass solo that soothes the crowd as enticing drums continue. 


Another popular single released last year, “Methamphetamines,” sent the audience into an uproar. A song depicting an unhealthy, strenuous relationship, where the storytelling in the lyricism alone keeps you hooked—and even more so when you hear it live. Pearl’s level of emotion in singing the track was like she had just written it. Feeding off the high energy from the crowd, Pearl and her band only grew more enthusiastic in their performance. The well-known guitar riff in the song left a lingering sense of needing to hear more, along with the unapologetically truthful and stimulating performance. 


Pearl covered the one and only Lana Del Ray’s “Radio,” which naturally made every girl in the audience melt while singing along. A version with a grungier electric guitar added, the instrumentals were strong. While admiring the show, I think to myself, “Many aspire to have the stage presence she and her band have.” Effortlessness in captivating the audience, dancing full out for each track, and all around, a performance you get lost in watching.


Photo Credit: Adriana Rivera
Photo Credit: Adriana Rivera

“Passenger Princess” is a newly released, slower ballad including Pearl's raspy, yearning vocals. An emotional chorus depicts the want for a healthy relationship, but it falls short: “All I want to be is your girl / But here I am being more of a man than you.” Her sister, Clara Waidley, on backup vocals, harmonized beautifully as Pearl put all of her energy into singing the bridge. 


As a short interlude, in each show Pearl chooses a ‘princess’ from the crowd to come on stage, wear a tiara, and deliver a speech. Such a fun, exciting way she connects to her fans and allows them to be a bigger part of the show. An instrumental plays in the back as the chosen princess spins on stage and embraces Pearl. She emphasizes the importance of showing up for yourself and never changing for anyone. As the crowd cheers her on, the energy in the room shifts from eager excitement of the show to a moment of connecting to the music and the community created.


Photo Credit: Adriana Rivera
Photo Credit: Adriana Rivera

During an unreleased track, Blackman on the guitar shreds a sick solo while in the background, you can see Pearl pouring red wine into her bandmate's mouth. Chaotic energy that only continues as the princess of the night returns to the stage. They were just having fun. Hot girls having fun. That’s rock and roll.

Photo Credit: Adriana Rivera
Photo Credit: Adriana Rivera

Nearing the end of the show, everyone on stage was sweating from how humid it was on the roof, but they played through it. A cover of “That Smell” by Lynyrd Skynyrd left me feeling sonically elevated. The drums powerfully lingered after each hit, having us all jump and dance around. Pearl’s vocals blended with the guitar riffs, creating a conversation within itself, something beyond verbal communication. Music can communicate in unique ways, especially when performed authentically.


To end the night on a high note, Pearl finished with “No Man,” her most-streamed track released at the start of 2024. This song resonates for many, calling out the girls with so much love, strength, and fire in their hearts to recognize they are more than staying with a man who dims their light. The famous chorus goes, “I don’t want to worry ‘bout no man / No man, no man, no man.” This is part of the show where she calls girls to come on stage to sing the song. “First come, first serve!” she yells. Naturally, everyone swarmed onto the stage, blending in with the band. On an elevated surface higher up than the stage, Pearl began her song, and everyone on that roof and stage screamed along with her. Yet again, a beautiful way she connects to her audience, her people. That last song tied the whole night together for me. So much passion and energy exuded from her even after an hour set in the heat.


The Let Girls Be Hot Tour was engaging, impressive, and so fun. It was an honor to watch Pearl in person and deliver such a raw and exciting show for Brooklyn. There are artists who are on stage for the hell of it, but with this show, anyone would be able to tell she truly loves to perform and connect with people. To me, that is what music is about. Connection. In every capacity.


Keep up with Pearl’s latest song releases and follow her socials. You wanna be able to say you were here from the start!


Written by: Amy Kapel

Photography: Adriana Rivera

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