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When I first dreamed of what this magazine could be, it wasn’t just about creating a publication. It was about building a platform, one where other creatives could find their voices, tell their stories, and shape a piece of the world we all exist in. I started 47Magazine because I couldn't find my footing or sense of purpose, so from day one, the goal was to go big. And that we did. 


We turned ambition into reality, growing from a small idea that started on my iPad into a thriving community for music, fashion, entertainment, and so much more. 47Magazine became my version of an empire. 


But, if there’s anything I’ve learned from life– or movies like Scarface– it’s that building something great isn’t the end of the story. 


Ambition is a double-edged sword; it pushes you forward but can also weigh you down and consume you. Knowing when to step back is just as important as knowing when to push ahead.


That’s why, after seventeen full issues, I’ve decided to step back from my role as the Editor-in-Chief of 47Magazine.



This wasn’t an easy decision. This community has been everything to me for the past two and a half years. It’s a piece of my soul. But authentic leadership isn’t about holding on tightly to power,  it’s about empowering others to rise, create, and thrive without you. It’s about believing in the strength of the team and the mission we’ve built together. 


Empires that depend on one person are just not sustainable. Movements are about community. They’re about the collective, not the individual. I’m so proud of the team we’ve cultivated, the voices we’ve amplified, and the impact we’ve made together. I know that 47Magazine will continue to thrive because of you.


I’m saying goodbye, but not to the dream, only to my role. As I enter the next chapter of my life in Pittsburgh, I’ll carry the lessons, the memories, but most importantly, the magic of what we’ve created together. 


Thank you to the hundreds of people I’ve had the privilege of working with throughout my time here. It has truly been such a blessing and an honor. 47 forever. 


So, for the last time– 

Rockin’ 47Magazine, Forever,

Mark “BARK” Bluemle


Photography by Roberto Meadows

Styled by Caroline Slafka



  • Apr 28, 2025



When thinking about Mark and I’s final issue, I knew I wanted it to be different and unique. I think a lot of magazines focus on beauty and trends, but there is so much more. I think they can show off weirdness and other aspects of photography not traditionally given a platform. And I knew that's what I wanted this one to be, a showcase of all the weird and beautiful ways we can exist in this world.


Our current political and cultural climate is very anti-weirdness. You can be unique within a mold, and nothing more. I love the camp of burlesque – The unhinged glamour and artistic style arising from political and revolutionary philosophy, the vulnerability of it all is so stunning. 



Much like burlesque, the circus is the exact opposite of this traditionalness we find ourselves trending towards. It embraces different types of art, people, and communities. Queer authenticity is something I think we should always be highlighting, and these two artforms embrace boldness, queerness, and the avant guarde.  


Looking back on over two years of co-running this magazine, I have experienced so many amazing opportunities and learned so much about leading a group of creatives with different visions. Being able to work with friends in a creative way, doing something I love is what makes the New York experience whole. 



We started this journey with just me, Mark, and his camera, and over the years we have gotten to work with some amazing people, some very frustrating people. At the very end, 47 will always be about my love for Mark, New York City, and creativity.  

 

There’s so much I can say about the existential feeling, the love and heartbreak of putting your all into creating something, working on it day after day, creating a community of people interested in uplifting this effort, the hope and failures, and constant rebuilding, rethinking, and growing. I've learned so much about planning, delegating, knowing when to admit you’re wrong, and sticking to the truth of my efforts. There are always going to be people praying on your downfall, and there will always be people who support and believe in you.  


In a way, 47 is our baby, which we grew out of nothing and made it what we could with what little we had. Just a vision and a camera. 

 


In this next chapter for 47, I hope the magazine stays true to Mark and I’s vision - simply to provide a space for queer people to make art. While I’m sad to step back from something we put our blood, sweat, brains, and tears into, I am excited to hand off the magazine to people who can direct all their efforts into it while Mark and I move on. In just a few years, I’ve been a model, photographer, actress, salesman, event planner, manager, creative director, choreographer, and more. I’ve taken pictures with cool people in amazing locations, all with my vision in mind. 


Each issue has been a moment in time for me. I can look back on each of our 17 issues and see where I was, what I was inspired by, what I was thinking about, and how I felt. I am truly grateful for that. While 47 started as a fun side project, it has really shaped a lot about who I am and what I want to do in the world. As a law student, creativity is something that feels out of reach a lot of the time. 


I’ve always felt I wasn’t creative, or didn’t have a place to show that I am. This magazine convinced me otherwise and allowed me to see the joy and strength that comes from having an outlet and focusing on how art is everything. 47 forever.  

 

With all my love, and finally,  

Sophia Querrazzi  

-

Photographer: Mark Bluemle @barks.mindd

Director: @sophiamq_14

MUA: Maggie Moland @magzabeth_

Talent:

Jack Oesterle @jackoesterle

Jaden Rittweger @jjadeddjjadenn

TL Smith @swishmontanaa

Aidan F. Dean Dunn @aidan_dunn1

Maggie Moland

Sophia Querrazzi




Thursday – House of YES! Gaga Night

I have to be courageous with my sex. The memory of it sends electricity up my lungs, my mind swelling. This is what I secretly desire. A hill suddenly presents itself. 


What is provided at House of YES that makes space to summit these courageous peaks? Is it just reflections of community, life-well-lived, and preparation shedding a warm glow? How do its members fan the flame?


In the main room, two beautiful women danced to me – there was no mistake, not in the mind of a young man. I had to remind myself that this was all new to me, and I need only be present, not cool. One whipped my face with hair five times while I stood in the shallow end of dumbfounded. She smelled like cherries and amber. Colorful men danced feverishly beneath the stage’s proscenium arch; beacons in neon light.


A whisper of a dancer haunted the bar top for a Gaga-slow. In a single spotlight, he was crucified.


Not long after, papery rain flooded the room, slipping through the air and tickling our necks, bathing the floor in green and white. Pierre spoke calmly. Erotica wore black, off the clock. She spoke to my confidante, “I’d wear anything if they paid me.”


Leaving, I knew I hadn’t scaled the totem pole, but I could smell wood. To Erotica, a kiss on each cheek.



The Next Tuesday—Trans Day of Visibility March

It was a protest rather than a celebration. This makes sense. Transgender people are being used as an emotional-political bargaining chip by the Trump Administration. Marchers challenged and subverted ‘mainstream’ norms with their clothes and hair, slogans on t-shirts and signs above head.


The protest met first at Union Square then marched seven blocks south to Washington Square. Along the way, marchers linked arm in arm, groin to traffic, across opposing streets, in an act both symbolic and practical. A buzz of press flurried at the front of the crowd while bystanders pointed phones. In all, marchers took up four to five city blocks.


Intermittent conversations took place between law enforcement and march organizers. A protester with a half-shaven, half-mulleted head and a strong voice, shouted back to the crowd that they had been threatened by police – told to stop using their megaphones – and that consequently, protesters must be even louder.



Two phrases dominated the air:

1)        “Trans rights are human rights”

2)        “Protect our transgender children”


One sign read, “WE DON’T WANT YOUR CIS CHILDREN TO BE TRANS. WE WANT OUR TRANS CHILDREN TO BE SAFE!”


In Washington Square Park, marchers trickled around the drained fountain. A handful of skateboarders and fútbolers lingered in the fountain, where they had been before the crowd set in. Washington Square Arch towered north. A group of white Hare Krishna’s played hand drums and swayed, selling beads to the side.


Inside the fountain, a brown person spoke to a black person. It was a march organizer speaking to a skateboarder, the same organizer who earlier relayed information about megaphones and the police. With a face signaling defiance, the skateboarder turned and continued rolling circles around the fountainhead, through narrowing gaps in the crowd. That person chose to pursue their own object, not disrespectfully, despite all else occurring around them – a sight common in New York City.



Sunday – Home

In a video online a person spoke of the courage it takes, and the cool it leaves behind, when one endeavors to express themselves truthfully. Inside each of us are desires, fantasies, and intuitions as natural and ingrained as the birthmark on your hip, and they want out


House of YES, where color and sex and butterflies live, is a safe place to experiment with those innate qualities; to explore a more honest expression of self. For those who find truth there, it is a place to shine brightly and live with integrity.


Protests–byproducts of money, threats, death, and scarcity–are public gatherings of likeminded individuals advocating for those same freedoms guarded between YES’s motherly walls.


On a basic level, the people in Washington Square Park protested because their right to be themselves is being threatened. The persecution of human beings for the hidden purpose of disarray, toward ends of wealth and dominance, is an old and wicked trick. Yet the internal journey toward a more truthful existence, life’s most sacred pilgrimage, can really only be quelled by oneself or their killer.


Written by Aidan F. Dean Dunn

Photographer: Max Garcia Rico @maxg.ricophotography

Creative Direction/Production: Jaiden Blanks @thejaidenalexis

Stylist & MUA: Katelynn Herrera @katelynn.herrera

Production Manager & Hair: Natasha @natasha_teiman

Talent: Gabrielle Clemons @gabriellebiancaa

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