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To many, New York Fashion Week is the best week of the year…unless you live in New York and don’t work in fashion—that is. The casting call girls, guys, and everyone in between flood the streets, demanding that their $8 matchas be made faster, their jeans be lower rise, and their names be on every list for every afters. Don’t get me wrong—I have many model and designer friends who are lovely and talented, but it’s safe to say NYFW isn’t what it used to be. It’s become a week with less emphasis on art, fashion, and talent, and more emphasis on lists, afters, follower count, content creation, and exclusivity. It’s become clouded by the clouted (and worse—by those wishing they were). 


At the forefront of its social-climbing is an amalgamation of influencers, socialites, and fauxialites (clout-chasing, aspiring socialites that have not yet made it high enough on the ladder as a social climber to earn the label “socialite”). To the aforementioned, nothing is exciting if it’s all-inviting; Exclusivity is hotter than it’s ever been. Every party (even at clubs you frequent every other week of the year) is only as tempting as it is elite—letting spiritually-vapid fauxialites masquerade as the beau monde. Fashion week is an invitation for everything to be pricier, streets to be more crowded, and lines to be longer (I’m referring to two types of lines—those that are stood in and those that are snorted). I’m no stranger to chaos and I’m certainly not averse to it, but this was different from the type of chaos I’m familiar with, but then again “familiar chaos” is somewhat of an oxymoron in itself. 


Most NYFW events I went out of my way to avoid (apologies for my unconcealed misanthropy), but the event I was looking forward to most was the Alt NY Fashion Gala at Le Bain. I was hosting another party at Home Sweet Home on Chrystie Street, and my hosting duties required me to stay there until 2:30 AM, but once I was off the clock, I rushed over to catch the end of the party at Le Bain.


LEG5 on an elevated surface at the first party shot by Mason Kidd @masonkiddphotography
Me on an elevated surface at the first party shot by Mason Kidd @masonkiddphotography

Candids a stranger took then airdropped me of me changing into my sneakers so I could run through the streets to catch the train to Le Bain
Candids a stranger took then airdropped me of me changing into my sneakers so I could run through the streets to catch the train to Le Bain

ALT NY Fashion Gala at Le Bain

I know it was a good party when I walk in late and immediately see my friends straddling and locking lips with the very men who broke their hearts that they vowed to never speak to again. I play the ostrich momentarily and pretend to turn a blind eye because now is not the time for confrontation; Now is the time for partying. I’ll knock some sense into them later, but right now we dance. 


I’ve been to Le Bain—a nightclub inside The Standard Hotel in the Meatpacking District—many times, but I believe this is the first time I've been there when it was snowing. You’d think that would be insignificant, as nightclubs are inside after all, right? However, anyone who’s ever been to Le Bain is familiar with not only the picturesque view of the Manhattan skyline that its presence on the top floor of the hotel invites, but also with the entrance to the rooftop. I don’t typically like the snow. I was born and raised in the Northeast, so it never excited me. The first snow of the season only made me sad—knowing it would only end up gray on the sidewalk in a day or two and was a sign of a long, dreary Winter that was to come, but there was something about stepping out onto this rooftop and seeing the ground covered with pillowy snow that just felt so calming. 



It was so serene—one of those moments that you can already anticipate missing in the future.


The party was produced by Matt Weinberger (photographer) and Orson (DJ)—two names to keep at the center of your NYC nightlife Rolodex. It had an impressive lineup of DJs including Guillaume Berg, Picture Plane, Wave.89, Quiet Girls, and Orson himself, and featured the work of various indie fashion designers including but not limited to Bella Pietro, Emerson Isa, By Liv Handmade, and Drink More Water.


When I arrived at the door, it helped that I was able to cut the entire line and tell the bouncer I was on the VIP list. The regular line wrapped around the door, as this party had over thirteen hundred RSVPs, and in this freezing cold, there was no way I was waiting in it.


“Are you one of the models?” The bouncer asked me at the door. I told him I was not and that I was probably listed under either “press” or “close friends”, but this was one of several times that night I would be asked this, which was probably enough sustenance for my ego until the next NYFW. He found my name on the list and I headed up the elevator to the top floor of The Standard.


Immediately I was welcomed by the very chaos I anticipated. So much smoke clouded the inside of the club that I could barely see who it was that was hugging me and greeting me with enthusiasm upon my entry. There was club music so loud that I could not just hear it but almost feel it moving through my veins, and of course—bright flashes in a dark room of photographers taking photos of influencers, socialites, and fauxialites—with a percentage of well-respected artists among them. I looked around the room and one thing was for certain — ‘heroin chic’ is back (but this time it’s less chic—it’s almost ‘heroin sleaze’).



I found Matt and greeted him, let him snap a few photos of me, and then joined the rest of the crowd to dance.


Only Ali RQ of DJ duo Quiet Girls could make a platform above a pool shake with Katy Perry’s classic “Teenage Dream”—the DJ duo’s DJ set was far from eponymous, as it was anything but quiet when they were behind the decks.


After a while of dancing, all the cocktails I’d previously consumed caught up with me and begrudgingly, I left to use the bathroom. While in line for the bathroom, I saw myself in the corner on one of the posters on the wall from a different party I had attended there months prior and was pleasantly surprised.


The poster with my face in the top right corner of the photo by Mark “The Cobrasnake” Hunter
The poster with my face in the top right corner of the photo by Mark “The Cobrasnake” Hunter

After going to the bathroom, I danced some more, socialized some more, and eventually, the music came to an end and we were all herded out of the club. This was maybe the first time the 4 am end time actually meant 4 am. I headed up to the roof once more before heading out. I was shocked to see what were probably influencers posing for pictures wearing chapless pants in February outside in the snow.


I stopped in a donut shop on the way out because it was the only thing that was open while I waited for my train and it was freezing. A random man, who flirted with me relentlessly, bought me two donuts of my choice and one coffee of his. I ate one of the donuts and gave the second to a homeless person, along with the coffee—as it may have been coffee time for the random man in the donut shop who bought it for me and wished me a good morning, but I still had glitter on my eyes, my dead grandmother’s Manolo Blahniks on my feet, and a blood alcohol content even higher than my heels. The party itself was fun, but I’m glad this week is in the rear. As I waited for my train and reflected on the party and New York Fashion Week in all its glory, I decided I was petitioning to reclaim the word “socialite” and abolish the resurgence of methadone clinic chic.


Written by Lucy Geldziler

A typical day during NYFW is a whirlwind. The pace is relentless, and things change on a dime. As one designer shares, "You never know what will happen. Everything is spur of the moment." With a career grounded in purpose and universal connection, this designer emphasizes the importance of maintaining positive energy and productivity.


 "If I can do this, I can do anything," Jonathan Reid, owner and designer of J.Reid, asserts, believing that the key to success is rooted in the energy they bring into each day. It's not just about the clothes; it's about how one approaches life itself—guided by a deep universal source, a mindset that fuels their creative work.


For those navigating the demanding environment of New York Fashion Week (NYFW), the hustle is non-stop, and the unpredictability of the schedule makes each day unique. In the fast-paced world of fashion, where creativity and business collide, the journey of a black fashion designer is one marked by passion, resilience, and a deep connection to personal and spiritual growth. As a designer, every day is filled with both challenges and triumphs. 



For many black designers, the journey into fashion is influenced by a blend of family history, cultural significance, and personal experiences. For Reid, their connection to fashion is atttributed to their mother’s constant presence in the world of clothing and shopping. "I've always been around clothing and product," they say. Add to that a family legacy of entrepreneurial spirit—both grandfathers were business-minded—and a circle of friends that foster creativity. From a young age, they felt destined to bring clothing, design, and events to life. For Jonathan Reid inspiration isn't just drawn from the latest trends or fashion runways. Instead, it comes from the very essence of existence—the universal laws that govern life and the designer's personal evolution. "I love designing from the perspective of what the universe is, what planet/realm we are truly in, and what technology the body truly has." they explain.


While their roots are in Charlotte, North Carolina, and their current home is Atlanta, Georgia, the designer is now considering a major move to New York. "My plan was never to move to NY. I can't stand the cold," they joke. But the call of the fashion capital is undeniable, a place they view as the "final boss" for their career. Whether they make the move or not, the journey continues to evolve. Still, every career faces challenges, and being a black designer in the fashion industry is no exception. With a mindset grounded in strength, they believe that all of life's challenges are part of a greater illusion, one that can be shaped by the energy and attitude we bring to it each day. "I do what I can to execute everything else, I leave to my highest self/universe," they share. 


Fashion isn’t just about the designs, it’s about the purpose behind them. After discovering their calling in 2015 through graphic design they never looked back. "I made my logo and never stopped," they say. Their journey to full-time entrepreneurship has been one of dedication, faith, and persistence. 



They have deep influences that span generations and disciplines. Their designs honor their roots, often reflecting the significance of black history—not just during Black History Month, but throughout the entire year. "Black history is every month to me," they affirm, explaining that their latest collection, including the sleek "Reid 003" eyewear, draws inspiration from iconic symbols of strength and power.


In the world of fashion, where creativity knows no bounds, black designers are not just shaping trends—they are shaping culture, history, and the very future of the industry. Their journey is one of purpose, strength, and a deep belief in the power of the universe. And for this designer, the best is yet to come.


For those aspiring to enter the fashion world, this designer’s advice is clear: "Make sure you're doing this with a purpose." Beyond the financial gains and business strategies, success comes from intention. Perhaps most importantly, they stress the importance of inner work. "Work on the inner side of yourself first, and everything will attract you." Life's challenges will come, but it’s how you respond that truly defines you. "This is just the beginning of what I am going to do,"J.Reid’s story, while still unfolding, is a testament to perseverance and dedication. With conviction they say, "Stay tuned!"


Written by T'L Smith

NYFW takes place within the first two weeks of February, an iconic time of year for New Yorkers and anyone else who may be a fashion lover. This almost full month-long event showcases world-renowned designers and brands and opens hundreds of doors for new and upcoming designers who are trying to make their own names. 


This year I had the opportunity to attend several shows each highlighting its unique style. The Fashion 420 Runway Show, presented by SBFashion, The Ethereal Fashion Show, and Small Boutique NYFW Runway Show, each showcased three to five designers, and out of all of them, my favorite show was The Ethereal Fashion Show


As someone who had never attended NYFW, I was so in awe of the presentation and execution of this show. It brought the upscale and traditional vibes I was expecting, but it also held extremely fun and interactive moments that made it memorable. 



The music playlists chosen for the show and each designer were immaculate and the MC brought the vibes UP.


And a show is only as good as its audience, The Ethereal, where the runway was held, did a great job of creating a beautiful space that allowed vendors to be highlighted throughout the entire event while also providing live entertainment to keep the crowd interactive, and lively, which they were. Each guest I met was very friendly and extremely well-dressed. It truly made my NYFW dreams come true.



Designed and Styled by Chavelis Playhouse for The Ethereal Fashion Show.

Photography: KateLynn Herrera & Emma Garber


My favorite designer from this show goes by the name ‘Chaveli’s Playhouse’. Her designs were so whimsical and childlike but in the very best way. It was refreshing seeing her designs come alive and by her definition “play” on the runway. I loved her curious personality through her designs in comparison to the upscale, clean-cut, professional looks NYFW is known to bring. 


I wasn’t the only one experiencing the wonderful whirlwind of a first-time NYFW, for 22-year-old Fashion Stylist, Emma Garber, she saw the show from a different side of the runway.


Emma was very involved working as Back of House Manager for Rise Fashion Events, Social Media Assistant for Revive Fashion Week, Styling Assistant for Chavelis Playhouse, and a Backstage Assistant for Art Hearts Fashion


While ‘Chavelis Playhouse’ was a favorite of mine, Emma had a different highlight from her week in NY, “My most memorable moment was at Vellachor when one of the corsets that walked the runway was hand painted in front of us during the runway,” she told 47Magazine.



Pictured above, NYFW designs by Vellachor


“Vellachor made her NYFW debut and was amazing.” Vellachor, whose designs were described as an “elevated, romantic, and whimsy style that is very modern and timeless,” by the stylist showcased dresses with unique and intricate silhouettes at her runway show. “I know Ella Titus, the Designer, is going to grow very quickly in this industry,” said Garber.


Timothy Romero, 26, assisted Jane Wade’s show, Vettese, and Leblancstudios - all in Manhattan, for his first NYFW.


“I definitely do think Jane Wade’s designs & show caught my eye the most,” said Romero. 


“Jane’s show gave strong dystopian office siren vibes, and the music coupled with the models (including Lisa Rinna) and the designs emphasized this. Vetesse was very organic and simple, the Italian instrumentals and vocals in the background made it feel very intimate. Leblancstudio’s show was dark (set wise), the models walked slowly on salt/rocks so you were very tuned into the show and their walk, you had time to appreciate the designs.”


To many NYFW is a ticket to some of the hottest events in town, but what the designers are doing, from small indie pop-up runways, to carefully designed large shows, means a lot to artists, and their audiences. 


“Leblancstudios’ Latin-American roots and background was something that personally stuck out to me (being a Mexican-American in the US) so being able to see first hand the designs on the runway, seeing families and friends of the designer enjoy the show and the designs - it oddly felt like I was at a family reunion. I think that’s why that one felt more personal to me.”



Marketing and Business student, Lucía Huerta Del Sol, 20, was another first-time NYFW attendee, but as a previous Paris Fashion Week attendee, was provided a newfound view of the runway here in New York.


Del Sol worked for The Art Heart Fashion and had the opportunity to help with content creation for several runways such as Carlos Pineda, Bad Pink, Nif Global, Giannina Azar, Raúl Peñaranda.



“Working with them backstage is a completely different experience as in this way, I was able to see how every piece was being built, the process behind the show, and how talented the designers are,” said the first-timer.


New York Fashion Week will forever maintain a significant amount of recognition and admiration from thousands of people, brands, companies, designers, and many more every year. Though many try to defer first-timers and those looking to enter the fashion world, there are just as many people looking to help you navigate it.


NYFW changes every year and gives those looking to create, the chance to become better and better. NYFW is used as an outlet for many people; it allows us to take time away from whatever life may be throwing at us, tap into our own creative mindsets, and truly learn from one another while gaining insight into how fashion speaks through different cultures, experiences, and imaginations.


My first New York Fashion Week was more than I could have ever dreamed of, and I hope it continues to amaze me and anyone else willing to step out of their comfort zone, and into the chic and fabulous world of NYFW. 


Written by KateLynn Herrera


Photography by Lucía Huerta Del Sol, Emma Garber, KateLynn Herrera, and Timothy Romero


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