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Black love is an unparalleled force, but it has historically not been spotlighted in mainstream media. The term appears to refer to solely romantic love, but it is much more than that. Black love encompasses love found within the community, love found within friends, and family, which is very important to notice. Black love has been a very divisive term on the internet in recent years, so recognizing its wide range of meanings is invaluable.


“Love Jones” is a 1997 rom-com starring Nia Long and Larenz Tate. This film follows the love life of a love scorn photographer Nina and a love-sick poet Darius. Throughout the film, romantic love is shown as an addictive substance that can change one’s life in an instant. In tandem with this platonic love is shown as this safe constant in their lives. The main couple goes through multiple ups and downs but eventually realizes they were meant to be after a long break.



Constantly throughout the film, they are falling black on to their friends on what to do next with their relationship. When Nina leaves Chicago because she is offered a new job opportunity in a different town, her friend Josie calls Darius to inform him of her departure at the train station. And when Darius decides to give up on love his friend Eddie is the one to convince him to keep fighting for it.



The way the black love story was created in “Love Jones” highlights a lot of the problems of dating now almost 30 years later. With the creation of dating apps and social media, it has made finding love more difficult. The expansion of options a dating app brings leads to the process becoming slightly monotonous. In the film Nina and Darius were only able to interact face to face so it made each interaction much more important. Without the addition of seeing each other's Instagram posts while they were apart, they were truly able to grow separately as individuals.



A lot of the troubles faced during “Love Jones” are the precursor to a modern black love story that is shown in the HBO series “Insecure”. The main character Issa deals with a tumultuous relationship with her love interest Lawrence. In their story, there are plenty of ‘will they, won’t they moments?’. But in the end, they reunite once more. A huge difference between their love story and Nina and Darius’s was the fact that their friend circles overlapped so they were still in each other's lives even when they weren’t together.



Both of these love stories intentionally or not subscribe to the ‘right person, wrong time’ mentality. Which can say a lot about the states of dating maturely vs immaturely. When looking into these relationships they both start to crumble the moment things begin to remain static. Causing Nina to choose a new job opportunity and for Issa to cheat. But with time and changing scenarios, the characters grow and develop more into the people they want to be, eventually leading their paths back to each other.



Both “Insecure” and especially “Love Jones” exemplify the importance of black love. Although their romantic lives were filled with turmoil, all the characters still had their friends by their sides. Both pieces of media depict black friendships that remain constant in their lives no matter what else is happening. And even with the troubles of their romantic lives, these characters also found black love within themselves. This inner love branches out into the community and really strengthens the foundations that created it.


Black love is about the people you surround yourself with now and who you choose to grow with or for.


Written by Clark Gérôme @clark_gerome

Creative Director: Tayja Whyte @tayjaa.x

Production Manager: Chloe Kaleah Stewart @chloe.kaleah

Photography: Roberto Meadows @_.rubbertoe

Production: Mickayla Davis @_mickayladavis_ | Jazzi Almestica @shes.so.dope | K Pereira @kaleb.pereira922

PA: Elena Richardson @elfrances

Models: Mickayla Davis @_mickayladavis_ & Kedma Moise @kedma_music | Melissa Alcindor @issaivvi & Lisa Thompson @Tram3ka | Jai LePrince @jai.leprince & Cecil Atkins @its._cecil

In the realm of independent filmmaking, few debuts captivate and linger as deeply as Sarah Lyons’ The Woods. Set against the backdrop of dense, shadowy forests, this psychological thriller unfolds a chilling narrative of mystery, memory, and haunting metaphors. In a candid conversation, Lyons, the creative force behind the film, shared insights about her journey from conception to execution, as well as the personal and practical elements that shaped her cinematic vision.


From Page to Screen

Lyons began crafting The Woods during her middle school years, revisiting the story repeatedly until it became the foundation for her directorial debut. “This was always the story I knew I’d tell first, whether in novel or film form,” Lyons explained. “It felt like something I needed to get out, almost like an inevitability.”

Growing up in a small, forested town of 2,000 people deeply influenced the setting. “The woods always felt alive, almost as if they were characters themselves,” she said. “Their presence was more than just physical—they had a spirit that demanded attention.” This connection with the natural world imbues the film with authenticity and an eerie vitality.


Practicalities and Artistic Choices

Beyond the symbolic, shooting in the woods also provided practical benefits. Lyons described how, as a first-time filmmaker, limiting locations was crucial to managing the budget. “The fewer locations, the better,” she noted. “It’s cheaper, but it also gives the film a contained, intimate feel.”

Despite potential weather challenges, the decision paid off. Lyons leaned on her familiarity with the environment to create an evocative, haunting atmosphere. The film’s visual style, a collaboration with director of photography Madalina Debaney, played a significant role. “Madalina and I discussed the aesthetics and mood for a long time,” Lyons said. “She has such an eye for framing and lighting, and she helped bring my vision to life.”

The use of drone shots, courtesy of Erica Rogers, added a distinctive edge. “Erica’s drone work captured the vastness and isolation of the woods,” Lyons explained. “Her editing skills brought cohesion to the final product.”


A Tale Told Through Light and Sound

Lyons’ attention to detail extended to the film’s contrasting environments. The cold, industrial podcast studio scenes featured sharp lines and muted tones, while the flashbacks in the woods were warm and fluid. “It was intentional,” she said. “The woods represent the organic, messy aspects of life, while the present is structured and sterile. That final shot in New York City merges both worlds.”

Sound design also played a pivotal role in building tension. Anastasia Goldberg, one of the onset sound workers, ensured clean on-set audio, while George Miata, a sound designer Lyons serendipitously discovered, crafted the film’s haunting soundscape. “The only real input I had was wanting the podcast audio to feel like a podcast and the rest of the film to feel cinematic,” she said.

Challenges and Serendipity

Lyons faced the dual challenge of maintaining her creative vision while navigating the unpredictability of filming in the wilderness. “Knowing exactly what I wanted beforehand was key,” she explained. “From color palettes to storyboards, I had to be prepared so the crew could stay focused.” One unexpected moment of serendipity occurred during the campfire scene. “It was scripted that the characters hear something, but during every take, an owl actually hooted at just the right moment,” Lyons shared with a laugh. “It was surreal like the owl was part of the cast!”


Looking Ahead

Lyons is already working on her next project, a folk horror crime thriller exploring cults in rural settings. Though details remain under wraps, she expressed excitement about continuing her collaboration with Debaney and Rogers.

When asked which character from The Woods she related to most, Lyons reflected deeply. “I think I see myself in all of them,” she said. “They’re like pieces of my brain—broken, sad, hopeful. None of them are truly villains; they’re just trying to navigate their own struggles.”


A Unified Vision

Ultimately, The Woods is as much a psychological exploration as it is a supernatural tale. The forest serves as a metaphor for memory, childhood, and the messiness of life. “It’s a space where the characters confront their fears and truths,” Lyons explained. “The woods aren’t just a setting—they’re the stage where everything unfolds.”

As Lyons continues her filmmaking journey, her passion for storytelling and dedication to her craft promise even greater accomplishments ahead. For audiences, The Woods is a testament to the power of independent cinema and a debut worth celebrating.


A Sense of Community on Set

Filming on location created an environment of unity among the cast and crew. Lyons described the setting: “The house we stayed in had a porch out back with views of mountains and trees. It was a beautiful place to reflect, especially during sunrises and sunsets, which

became part of the daily rhythm on set.”

This shared living space fostered a sense of camaraderie, with everyone spending downtime together. “We’d stop for the day, eat, play music, and watch TV. It created a warm, communal atmosphere that shines through in the final product,” Lyons explained.


Mental Health and Haunting Questions

A central theme of the film is the impact of untreated mental health issues, particularly how they manifest in close relationships. Lyons noted that Amy’s character was designed as someone deeply in tune with the world around her but overwhelmed by a lack of resources to navigate her sensitivity.

“You can interpret it as something supernatural haunting Amy or as untreated mental illness that her friends fail to address,” Lyons said. “I think both interpretations are valid and can exist simultaneously.”

The director emphasized that leaving some aspects open-ended allows the audience to grapple with these questions on their own terms. “Horror is a genre that thrives on asking big questions without necessarily answering them. That’s the beauty of it—it reflects the mysteries of life itself.”


Crafting Characters and Performances

Rehearsals played a crucial role in shaping the film’s emotional core. Lyons worked extensively with her actors to ensure they could dive into their roles once filming began. “We spent a lot of time building chemistry and exploring the characters’ backstories beforehand,” she explained.

Amy’s descent into darkness required a nuanced performance, and the actor delivered. Lyons praised her ability to embody the complexities of someone wrestling with inner demons and external pressures.


The Challenges of Indie Filmmaking

When asked about the most difficult scenes to film, Lyons highlighted the fight sequences between Amy and Kate. “Action scenes are technically demanding. You have to get precise angles, choreograph movements, and ensure safety while creating something visually cohesive. We wrapped that scene at 4 a.m., and the actors were exhausted after hours of rolling around in the dirt.”

Despite the challenges, the hard work paid off, with performances and cinematography receiving accolades. Lyons reflected on what she’d do differently with a bigger budget: “I’d extend certain scenes, explore flashbacks, and delve deeper into the mystery of the woods. But sometimes, constraints force you to be more creative, and that can lead to something special.”


Advice for Aspiring Filmmakers

Lyons offered practical advice for budding filmmakers, especially those interested in horror. “Write a screenplay you love because it’ll be your baby for years. Build a community of collaborators you trust. And if it’s your first film, keep it small—horror is a great genre for stretching a tight budget.”

She also encouraged filmmakers to study horror for its efficient storytelling. “You can do so much with shadows, sounds, and subtle scares. Even if you’re not making a horror movie, the lessons from this genre are invaluable.”


A Lasting Impression

For Lyons, the film is about more than just scares—it’s an exploration of memory, relationships, and the mysteries of life. “I wanted to show how our perceptions of people change over time, especially when trauma is involved. The ending reflects how memories can distort and how some questions are never truly answered.”

As Sarah Lyons continues promoting her film, her passion for storytelling and her reverence for the horror genre shine brightly. For aspiring filmmakers and horror enthusiasts alike, her journey is an inspiring reminder of the power of creativity and community.


Follow Sarah Lyons on Instagram for more updates on The Woods and for future projects.


Written by Chloe-Kaleah Stewart

Photos by Sarah Lyons




On Sunday night, the beginning of the 2025 awards season commenced with the 82nd annual Golden Globe Awards. Unsurprisingly, the show was filled with major cinematic achievements and disappointments, with snubs and exciting wins all at once. 

 

Before the real show started, the red carpet began it’s whispers of what was to come for the evening. Ariana and Cynthia have officially strayed away from the pink and green, Zendaya is maybe engaged and flaunting the rock on her left hand, and Cesily Collette Taylor (young Nessa Rose in the 2024 Wicked adaptation) wowed the reporters. Emma Stone debuted a new pixie cut, most likely for another Lanthimos collaboration. Alongside the stars of the evening, the winners from the Timothée Chalamet and Glen Powell look-alike competitions joined their doppelgangers on the carpet. 


Inside, the real party begins with host Nikki Glaser kicking off the evening with a quick Ozempic and “holding space” joke. While anything would be better than the sexist anti-Barbie jokes of Jo Koy from the 81st Globes, Glaser delivered an unproblematic (aside from one Diddy joke, always unnecessary) and relatively humorous hosting gig, which led most of the focus to be on the nominees and winners themselves. 


Much to Film Twitter’s dismay, Emilia Peréz, the most nominated film of the evening began its winnings early with Zoe Saldaña, winning supporting female actor in a motion picture. The controversy that surrounds the film largely lies between Selena Gomez stans on Twitter defending her Spanish and the discourse around why exactly this film is being venerated by critics and within awards circles. It is a French movie, made by French filmmakers, shot in France, yet the songs are sung in Spanish and the film centers around the Mexican cartel, meant to take place in Mexico City. Alongside Saldaña’s win, the film took home awards for Best Motion Picture (Non-English), Best Original Song, and Best Comedy/ Musical Motion Picture. 


Similar to the events of the 2024 Emmy Awards, FX’s Shōgun swept the television categories, with awards for Best Supporting Actor in a Television Series, Best Actor in a Drama Television Series, Best Female Actor in a Television Series, as well as Best Drama Television Series. Baby Reindeer also followed their trend from the Emmys, winning the majority of the limited series awards for the night. 


In light of exciting wins, it was a major night for prosthetics, with wins for lead actors Colin Farrell, Sebastian Stan and Demi Moore. Officially solidifying the interesting intersection of films that explore our relationship with our appearance, specifically within the realm of performing alongside the destructive beauty standards that surround us. Both Moore and Stan gave incredibly moving and powerful speeches. Moore, receiving the script for The Substance around the time she contemplated ending her acting efforts, closed her speech with, “In those moments when we don’t think we’re smart enough or pretty enough, or skinny enough or successful enough, or basically just not enough. I had a woman say to me, ‘Just know, you will never be enough. But you can know the value of your worth if you just put down the measuring stick.”


The Brutalist also received three awards, including Best Film Director, Best Actor in a Drama Motion Picture, and Best Drama Motion Picture. Director Brady Corbet addressed the “odds that were stacked against it,” thanking every person who made the movie possible, from Kodak to the cast and crew, and those in his personal life. While the film may be one of the best of the year, many in the United States wouldn’t know, as the film is playing in select theaters, barely leaving New York or Los Angeles.  


The major snub of the night was undoubtedly Anora. The film sat at the top of lists across the critics’ boards and was unofficially crowned universally the “film of the year”, still, the film was nominated for five different awards, losing to some shocking wins, such as Emilia Pérez for Best Comedy Motion Picture, and a win that positively shocked others, Conclave for Best Screenplay for a Motion Picture. 


The Golden Globes are never a totally obvious road to the upcoming Oscars, however, with this ceremony being the one to kickstart the major awards season, cinema fans notice the potential pipeline from Golden Globe winner to future Oscar winner. “Hollywood’s Party of the Year,” as the show has called itself, certainly gave moments that will flood the timeline. Aside from the awards themselves, post ceremony the real after party is online, with fans thirsting over Andrew Garfield putting on his reading glasses on camera, writing think pieces about Kylie Jenner and Timothée Chalamet (still), and wondering “Is Zendaya actually betrothed” and much much more. With the surprising and exciting wins of last night, on and off the carpet, it is evident that we are in for a very interesting awards season. 


Written By Ana Marks 

Illustration By Nico Diaz

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