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Upon entering Night Club 101 before the show, I immediately felt that this space was for someone looking to build community through music.


Not only were the Lucky Break fans in attendance that night so lovely and willing to talk to a stranger, hugging the wall, but it also felt like a space where new fans are made.


Night Club 101 is known for staging new artists and musicians who are still finding their sound, or artists who have already established their base and are looking to host a space a safe space for other user music lovers to land.


That's why this venue was perfect to host Lucky Break’s East village show ahead of her tour across the U.S. Lucky Break played an amazing show that indeed captured the vibes of nostalgia, family, hope and most of all fun.


Inside night club 101
Inside night club 101

Before attending the show, I sat down with Emma of Lucky Break to chat about her new album, her tour and what’s in store for this new creative chapter. 


Ann Tankersely: You came out with your new album, made it!— Why now (for this album)?


Lucky Break: This album is an accumulation of me (at ages) 19 to 23. So I really wanted to take my time, and I wanted to jump into the visual world of Lucky Break as a character first.


AT: Why did you take this album on tour?


LB: That’s what it’s all about for me. The live aspect is the most important part of the whole equation. My mom was a singer/songwriter, and I grew up watching her play bars around here (in the East village). Watching her connect with people live solidified for me that being in a room with people is really the center of the musical experience and the job of the musician.


AT: You grew up here (in the East Village). You're here tonight with your friends. How do you feel about tonight’s show versus the rest of the tour? 


LB: It does feel like a homecoming, and it’s celebratory being with my friends. I get really nostalgic coming to the East village, I know it by heart. I feel so connected to this place, and it’s so essential to who I am. It feels like coming home, it feels really good.


AT: Are you traveling with the band on this tour?


LB: It’s just me and my guitar. I started this by playing at SXSW with tracks. I realized I just like playing with my guitar, I have more direct access to people. I like how intimate it feel, and it’s so essential to the kinds of artists I listen to. I like the “no-frills” aspect; it’s so simple.


Lucky Break on stage
Lucky Break on stage

 The character of Lucky Break bleeds through every song from the album and provides an interactive yet transcendent experience for every listener.


If you have the chance to go see Lucky Break on their tour, don’t delay your plans. Not only are there sounds to blast all Summer long from a hyperpop idyllic landscape of their album, but there is also the awesome indulgence of the Lucky Break character in the world that has been built for them. 


Follow their journey at linktr.ee/imyourluckybreak, listen to their album made it! streaming now, catch them on tour with upcoming dates in Memphis and across the U.S. this Summer, and check out their super cute merch on Bandcamp or at the show!


Lucky Break CD, Stickers, and Post Card
Lucky Break CD, Stickers, and Post Card

Lucky Break T-Shirt
Lucky Break T-Shirt

At the end of February, amid the ever-persisting Heated Rivalry craze, an article was published for New York Magazine called “The Great Fujoshi Awakening: Why Do So Many Women Love Men Who Love Men?” In the article, the author made very specific references to works of fanfiction online, going so far as to link one of the works within the article. There was immediate public outcry by fans on Twitter discussing the impropriety of bringing free fan works into a for-profit space without the fanfiction author’s consent. While the work was delinked soon after, it brought attention to the rapidly increasing lack of boundaries in fandom spaces, both by fans, people interacting from an outsider perspective, and people involved in the source material.


A multitude of comments have surfaced recently regarding a “separation of church and state” in an analogy for keeping fandom spaces separate from the creators and/or cast and crew of the source material the fans are for. This idea is not new, as there have been conversations around the legality of fanfiction for quite some time. There can be copyright problems, which fans of Anne Rice’s literary works are probably familiar with. Rumors around Anne Rice suing fans for writing fanfiction in the 1990s have circulated for years, but in reality, she just took a stance against fanfiction out of a desire for creatives to come up with their own stories and leave her alone. Some fans said they received cease-and-desist letters from Rice’s lawyer to remove their fanfiction from the internet. It is important to note that Rice later changed her opinions on fanfiction due to realizing she could easily avoid coming into contact with fan works. Because similar problems have occurred over the years, some fanfiction websites, like Fanfiction.net, even have a list of authors whose works are prohibited from the site on account of the authors’ stricter copyright claims. 


Most of the time, copyright claims are only an issue for fanfiction if the creator is somehow profiting from the material. Fanfiction is on public websites with free access, and there are rarely instances where fanfiction authors are making money from their works because they know it would be a copyright issue. Part of the problem with the aforementioned article was that it was behind a paywall, indirectly profiting off of someone’s fanfiction that was temporarily linked. It’s incredibly important to note that Heated Rivalry itself stemmed from fanfiction. Author Rachel Reid adapted her first book in the series, Game Changer, from fanfiction she wrote about Steve Rogers and Bucky Barnes from the Marvel Cinematic Universe. She’s far from the first person to do so: Fifty Shades of Grey began as Twilight fanfiction, and The Love Hypothesis by Ali Hazelwood began as Star Wars fanfiction. 


It’s incredibly important to note that what all of these published authors have in common is that they’re women. To recenter Heated Rivalry, much of the backlash revolved around the idea that straight women were fetishizing gay men. There are plenty of straight female fans of Heated Rivalry, but to act as though they’re the only fans of the show or book series is disingenuous. There is a wide array of queer people who are fans of both, and there are queer people in the cast and crew. The show creator himself is a gay man, and he’s spoken at length about the nuances of why women are drawn to the show. The inflammatory comments surrounding the fanbase of Heated Rivalry are steeped in thinly veiled misogyny. When one Twitter user asked, “Why do men keep calling things women are into mass psychosis?”, another replied, “Cause they can’t use female hysteria anymore.” The fanfiction writer whose work was linked in the New York Magazine article made a statement on Twitter about the situation and also called attention to the rampant misogyny and ignoring of just-as-present queer fans. He (@/subc0rax) wrote, “It feels like a shame that an article that’s seemingly willing to engage with the reasons women enjoy this kind of romance and explore the fact that not all of these fans are even women doesn’t seem to be able to connect the dots and entertain the possibility that there are gay men enjoying the current Heated Rivalry craze with the same fervour and adoration as its female audience.” 


Many of the problems stem from fan works reaching the eyes and ears of the authors and other direct participants of the source material. Many of these instances have been brought up in relation to the Heated Rivalry article. One situation was on the Graham Norton Show, where Norton displayed romantic fan art between the X-Men characters Charles Xavier and Erik Lensherr to actors James McAvoy and Michael Fassbender. It is uncertain as to whether or not Norton received permission from the artist to project it on television and/or show it to the actors, but it also didn’t feel like it was in good faith and was much rather poking fun at the fan art. There have been similar issues in The Pitt fandom, where interviewers have been asking actors directly what their opinions are on ships (desired romantic pairings between characters, short for “relationships”) of their characters, sometimes even asking if they’re going to happen in the course of the show. An article was recently posted titled “‘The Pitt’ Fans Are Horny Little Freaks,” to which the author was essentially berating fans for shipping characters and creating fan works based on the show. The Pitt actors have also been shown erotic fan art in recent interviews, as a means for inciting some sort of reaction, once again without any consideration for the artists who very probably did not intend for the actors to see it. One Twitter user (@/midwestprincsss) commented, “I really don’t like that fanfic and fanart are being used to make actors give a reaction that’s profitable for the publication interviewing them. Fan work is not for corporations or the folks in the project. It’s for fans.” Most fans feel similarly, especially since the people showing the actors or whoever is involved with the source material are often doing so in bad faith.


Within fandoms, there are boundary problems surrounding parasocialism, in which fans act overly familiar with celebrities as though they know these people in real life. A divisive aspect of fanfiction in many fandoms is real person fiction (RPF), where people write about real people. While plenty of people write and make fan art for their own enjoyment, there are also plenty of people who take it too seriously and begin to intrude on the celebrities’ personal lives. Some will comment cruel things on a celebrity’s Instagram page, and some will go so far as to stalk a certain celebrity and their family. This was a longstanding issue in the Dan and Phil fandom, which kept the YouTubers from talking about their sexualities, relationships, and personal lives for well over a decade. There have been more recent issues for actors in the Disney+ Percy Jackson television adaptation, too, as the teenage lead Walker Scobell took to Instagram to call out “fans” who have been stalking and harassing his friends and family. These examples illustrate that this is not a one-sided issue of outsiders intruding on fandom but also fandom intruding on the lives of the creatives involved in the works they claim to love. 


This is not any one fandom’s problem, as these issues have been arising since before the age of the internet. However, the increased amounts of social media platforms and the rise of public-facing fandoms have made these issues more apparent. So what should we do? First, news outlets need to stop using fan works without the creators’ consent, especially when they’re profiting off of it. Otherwise, fandoms are always going to have problems. There will always be plenty of kind, welcoming, and respectful fans, just as there will always be some fans who start arguments, breach boundaries, and give their fandoms a bad reputation. As many things do these days, many of these problems boil down to critical thinking and media literacy skills. There needs to be a boundary between fans and what their fandom is for, or we will lose any worthwhile contact going forward. Fanfiction writers and fan artists shouldn’t be afraid of their works being exposed on television or published articles, and actors and other creators shouldn’t be afraid of their lives or the lives of their loved ones being aggressively disrupted.

Zola Simone is a name you’re going to want to know in 2026. A Boston native turned Brooklyn local is bringing a completely new vibe to the queer music scene in New York City. Zola considers her genre of music to fall into the “Queer Pop” category, yet carries heavy notes of RnB in everything she creates. Zola has been perfecting her sound and musical platform since the age of 12, growing her foundations in Boston and carrying them with her back to NYC. I must say, they are doing an excellent job in showcasing their musical experience and tying it together with natural talent, creating something truly extraordinary. 


Photography by Isaac Wheatley
Photography by Isaac Wheatley

With over 20 singles, 4 EPs, and 2 full albums available on all streaming platforms, I asked Zola if she always knew music was something she was going to pursue career-wise. Her response is what all of us creatives hope to feel in one way or another: “I was recently asked this, what I would do if music wasn't an option, and I couldn't think of an answer. I can't see myself doing anything else but this”. In my opinion, this is what truly makes an unforgettable artist. Yes, you may hold love for other hobbies and niche interests, but someone who is entirely committed to the art they create and what they output into the world is one who deserves the recognition.


Photography by Isaac Wheatley
Photography by Isaac Wheatley

Luckily, Zola grew up around music and was surrounded by the encouragement of their loved ones to pursue music. This gave her an upper hand in getting involved in the music scene sooner than others. She mentioned that she had the opportunity to perform live at Boston’s top Pop radio station at the age of 10, just by being persistent with her need to perform. This then opened a door of opportunities for her. By 12, she was offered to be a part of Boston Music Project and their “Teen Empowerment” program. This gave young local artists a chance to collaborate with a recording company to record songs and music at no cost. This is what changed perspective for Zola Simone and reaffirmed her desire to pursue a career in music. 


New York City is home to millions of amazing artists and musicians, known and unknown, so why should we know Zola Simone? This is Zola’s response to that question: “Take away that you’re not alone, whatever you're feeling there is someone out there who understands you in some capacity. Music is needed and so important for mental health. I want them to know there is still hope and that human creativity is essential and inevitably inescapable. Music is about connection, community, and is a shared experience between the artist, music, and the audience. It is essential that we can all connect in some way and take away what we need from music.”  She carries this philosophy in her music and in how she writes her songs. When an artist can have the ability to create while also using factors of their environment to influence the art they produce, that is something to be paid attention to. 



Check out her two albums, Now You See Me and Kaleidoscope, available on all streaming platforms. My favorite song of hers is “Pirouette” off the Kaleidoscope album.Pirouette (Sped Up Version) be sure to give that a listen, I highly recommend! They have new music coming out this summer and are always finding ways to perform. Find them on all social media as @ZolaSimone. 

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