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Is a country built on hypocrisy and deception capable of standing as

“One nation under God”? 


This question lingers in my mind daily as I continue growing into a self-liable citizen. Christianity sits as America’s predominant religion. As much as I’d love to believe it to be purely out of discipleship, the truth is quite the opposite. This country’s foundation, as some may know, is based on the Discovery Doctrine, a common practice of conquest and conversion. With conquest comes power above all else– above religion and above the people. Today, this system has rebranded itself as Christian Nationalism, a political ideology that works to fuse Christian religion and national identity together. This is the same driving force that has used the bible to justify disposition of indigenous peoples, slavery amongst nations, and authoritarian governments.


Now, how could such an entity be one “ordained by God”?


Surely, the Lord of love and mercy would say otherwise. As stated by Jesus and written in scripture, “They worship me in vain; their teachings are merely human rules” [Matthew 15:9]." These same words hold up today, largely through a country pushing this nationalist agenda. 


1 Timothy 1:15 states, “Christ Jesus came into the world to save sinners”. 

When Christ walked this earth, his mission was to save lost souls, not governments or regimes– but people. If we take a look at America, we could easily note how difficult our leaders have made it for everyday people, who are often overlooked. This in itself contradicts the teachings of Christ. 


Here’s a little about Jesus: he was born a refugee who fled from persecution, came up humbly working as a carpenter, and was most importantly, a radical leader– spending his time with and educating the marginalized groups of the world (e.g., the impoverished, sex-workers,  and Gentiles). In doing so, he paved the route and showed us the true meaning of “loving thy neighbor”. This entails looking past race, ethnicity, and class, because through his power, love surpasses worldly identity. 


Allow me to insert two facts about myself– I am a follower of Jesus Christ. I am also a Black Woman in America. In addition to these two facts are two others about this country– In its true form, America is a western stagefront– manufactured to conquer above all else, hence my previous mention of the Discovery Doctrine. This country is also a system that prides itself on and under God. But how can the two coincide with each other? Is it even possible? 


In 1791, the First Amendment, [located in The Bill of Rights], incorporated the concept of separation of church and state. This, in simplistic terms, was meant to prevent the government from enforcing its own church. The amendment also created a sense of neutrality in regards to religion. For this, I am thankful. I have been able to express my religious customs freely, all while being able to walk into areas where others and their theologies have room to take up space. But even stating this as a lived experience, sits generally false.


Every day, we hear stories of marginalized groups in congregations, targeted in the nature of propagandic teachings, bigotry, and so much more. Just last month (September 2025), a white supremacist threatened to actively kill and terrorize practicing muslims at a mosque in Dearborn, Michigan. This is only scratching the surface to some of the extremities hate has taken to silence the voices of other religions. 


Furthermore, these same acts have been seen immensely throughout the Black Christian Church. The 1963 KKK bombing of Birmingham’s 16th Street Baptist Church, which killed four little girls, has haunted generations as a silent reminder of our enduring exclusion in this country. I could go on endlessly about these instances, but the recurring pattern is one of domination and the relentless pursuit of power in the name of white supremacy. 


This notion of supremacy often overlaps with nationalist ideologies, using Christianity and economic fears to justify the “purification” of the nation (as seen with Immigration and Customs Enforcement). Groups like Turning Point USA further reinforce this, targeting youth and grooming them into the ideology of Western “Christian” conservatism. The impact of this harm continues to produce mentally unstable and neo-Nazi-minded young people. These influences pacify their terroristic desires and tell them that they’re justified through God, just as this country's Founding Fathers. We’ve seen this with religious center threats, bombings, school shootings, and cyber attacks. With the authority of Christian Nationalism, we’re starting to see this with ICE agents and political leaders. Through the continuation of this agenda, we will see a growth of domestic terrorists in places of enforcement and power. 


So what are followers of Christ to do in this reality? 


When Jesus walked this earth, it is historically recorded what he did and how he acted upon his call to reconcile people with God. Christ guided and educated disciples in their youth. The disciple John was likely a teenager when he was called to Christ, while the others’ ages spanned from adolescence to Peter, who was thought to be in his late twenties or early thirties. Jesus knew to reach the youth because that is undeniably where the future starts– but he didn’t do so in the way many leaders do today. Instead of teaching the ways of a religious agenda, Jesus showed his followers how to live and educate radically against worldly agendas. In Christ’s movement, there is no space for confusion, no room for political agenda, and absolutely no capacity for hate. 


Just as Jesus intended us to live by love, so shall we do, as followers in today’s world. Before, it was Jesus condemning the religious leaders for living hypocritically and against outward appearance. Today, it is we who must denounce the strategic and perverse ways of Christian Nationalism and live by the truth that is Jesus Christ.

Interviewed and Written by Jazzi Almestica and Lucy Anderson


What started as an online thrifting venture by creator and designer Tarnovsky from her LA apartment quickly turned into an internationally loved and admired fashion capsule inspired by the early aughts and the peak of socialites in the spotlight. While Tarnovsky is still working out of her LA apartment, the brand she created, Hoes For Clothes, has grown greatly beyond that. Sasha talks with 47magazine about her experience as a creator, designer, and Gen-Z fashion icon. 





Pictured Above: Sasha Tarnovsky in Hoes For Clothes


47Magazine: You’ve cultivated such a distinctive culture and style with your clothing brand “hoesforclothes.” What was the inspiration behind your brand and its unique name?


Sasha Tarnovsky: Honestly, the name just came to me sporadically. I have had this brand since 2019, and the original name was Grinchy Vintage (like, after the Grinch, haha), and then I rebranded to Cherubs and Cherries when I switched from selling vintage to selling more of my own designs. However, it never really felt right. Then, I remember being in a section for one of my political science classes in school, and it was around the time when the expression being a “hoe for” something was popular, like “I'm a hoe for peanut butter” or something, idk, and the name hoes for clothes came to me. I remember being so excited I could barely pay attention in class because I was like.. “This is so perfect,” but I didn’t know if it was taken already or not, so I sat through the class in agony, waiting to check my phone. Then I swapped it, and the rest was history!


47: Your clothing hits a specific spot for young adults, balancing hotness and humor, setting the trend for Gen-Z culture. Where do you find your inspiration and creativity? 


ST: I get a lot of inspiration from internet culture, memes, tv-shows and stuff like that. I have always really liked the 2000s aesthetic and used to be so obsessed with Jersey Shore and Desperate Housewives growing up. Everything else just kind of comes together! I also get lots of ideas from my followers, which makes it a really fun and collaborative thing. 





47: Starting a business is one thing, but turning it into a flourishing success is another. Did you think your business was gonna reach this level of fame?


ST: Literally never did I imagine something like this would happen! I just started it to sell off some clothing out of my closet originally, and help pay off some of my loans. I actually have a degree in political science. I was originally going to go into law, but then right around when COVID started, the brand kinda took off, so I didn’t accept any law school applications, dove head first into this world, and I haven’t looked back since! But being a fashion designer, or whatever you want to call it, was always my dream.


47: Who is your personal fashion icon?


ST: I don’t really have any celebrity fashion icons (although some movie characters definitely inspire me, like Shelley from The House Bunny, Edie from Desperate Housewives, etc). Still, I do have a few girls online that I would like to shout out for sure, my two favorite fashion girlies to follow are @beanieboylston and @linmick; neither knows I exist, but I have been following them for so many years. I am always inspired by the creative and fun approach they both have to fashion. For Lindsay (@linmick), I don’t necessarily even think our fashion style is remotely similar, but something about her vibe and style is so incredible. 


Beanie Boylston (@beanieboylston)
Beanie Boylston (@beanieboylston)


Lindsay Vrckovnik (@linmick)
Lindsay Vrckovnik (@linmick)

47: What is one item of clothing you couldn’t live without?


ST: This is a basic answer, but either a black mini skirt or a pair of denim cut-off shorts. I think you can style them both in so many different ways, up or down, and they are both constants in my wardrobe. I felt like there was no “perfect” black mini out there, so I designed my own. 



47: What was your “I’ve made it” moment?


ST: I bet you could ask even Christian Dior this question and he would say, “did I really make it?!” or maybe that is just my imposter syndrome talking but I guess if I had to say something, I would say when I was still pretty new to all this and Tana Mongeau wore my “DUMP HIM” hat and had some paparazzi take her photo. To this day, I always think of her so positively regarding this situation because she did not buy the hat, she gently asked me for it, and I gifted it to her, and then when people asked her about where it was from she reposted one of those “Tana Closet” accounts to her story that shared my @. I have never seen her do that before for anyone. It was a gesture she absolutely did not need to do, because influencers like her are paid so much for their tags, but it was so sweet and kind and brought so many new eyes on me. I will always be so grateful for that, and I remember freaking out that THE Tana, who I used to watch on YouTube after school for hours, wore my trucker hat and shouted me out. 


47: What’s one piece of advice you wish you could tell yourself at the beginning of your journey? And what’s something you’d want to tell future you?


ST: I would tell myself to stay true to myself and my style because when you try to be something you’re not, you won’t succeed. The phrase “they can copy the recipe, but the sauce won’t taste the same” is so true. When I try to make items that I think people “want”, they never do well. All my best-performing pieces always came from the heart, and they were items I was personally inspired by. I am so grateful for the community I’ve curated on my social media, and I believe I got there by following my heart and doing whatever the fuck I wanted!




There’s something electric about sitting across from a drag queen at the Stonewall Inn.

The disco ball spins above us, casting flecks of light on the bar’s worn brick walls—walls that have held decades of laughter, rebellion, and chosen family. I’m here with Crystal Marie Tyler, a local NYC drag performer who somehow manages to be both larger than life and deeply grounded. Her presence is commanding, sure—but it’s her warmth, the way she speaks about drag like it’s both armor and art, that sticks with me.


As a gay creative in this city, this moment means something. Interviewing someone like Crystal in this place—the Stonewall Inn—isn’t just exciting. It’s emotional. This is where people like us first stood up and said, “No more.” And now, years later, I’m here, phone in hand, talking with someone who’s still carrying that torch—just with a little more rhinestone.


JL: Do you feel as though performing and being in drag has kind of given you a lot of confidence or some kind of personality boost outside of drag?


CMT: Yeah, absolutely. When I started it, like I was in college and I was just getting used to like, ’oh, it's just a fantasy. 
I'm like a kid that wants to pretend and play drag.’ Then at the end of college, I'm like, oh, this is a profitable skill then I can really run with and make a lot of connections and network and make a lot of friends in that way. And as I move forward, it's mostly just about the community, and that's what brings the best in you.”



Drag is magic. But not in the way people always think. Yes, there are wigs and lashes and death drops that make you scream, but it’s more than that. Drag transforms people from the inside out. For many in our community, it’s the first time they’ve been seen—really seen—for who they are. Or maybe even for who they’ve always dreamed of becoming.


Crystal talks about that transformation like it’s sacred. Because it is.


JL: What would you consider the most transformative aspect of drag?


CMT: Anyone that touches it and really experiments with it often comes out of wanting to learn more about themselves.  Sometimes it comes from feeling very isolated. And the most important thing about that is you try it and then you're not alone because it's a whole community of people that also started at that point.



And then there’s the community. That loud, loving, messy, beautiful drag family that shows up night after night. You find your people in this world, sometimes when you least expect it. And they don’t just cheer for you—they see you. They push you, protect you, and love you in ways the outside world often doesn’t know how to.


JL: Where should aspiring artists go to find these communities?


CMT: The spaces that are really just all about the freedom and that you feel the most comfortable in, you will be the most drawn to. And I mean like we're standing right here where I followed my heart and I always wanted to perform here, and now I'm Mx. Fan Favorite. So.


I look around Stonewall and I think about the queens who were here before us—the ones who kicked open the doors so we could even have this conversation. What would they think, seeing us here now? Would they be proud? I hope so. I think about that a lot. How being queer in this city can feel lonely one minute, and then suddenly, you’re at a drag show, surrounded by strangers who feel like home.



By the time our interview wraps, I don’t want to leave. Not because the lights are pretty (they are), or because Crystal’s makeup is hypnotizing (it is), but because in this tiny, historic room, I feel like I’ve reconnected with something I didn’t even realize I needed.


Drag isn’t just performance. It’s protest. It’s therapy. It’s community. It’s survival. And it’s joy.

And for people like Crystal—and people like me—it’s proof that we’re not just here. We belong here.


Written and interviewed by Jai LePrince @jai.leprince

Talent: Crystal Marie Tyler @crystal.tyler.nyc

Photography by Mark Bluemle @barks.mindd 

Production and Direction by Sophia Querrazzi @sophiamq_14 

PA, Movement Direction by Jai LePrince 

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