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NYC’s newest rap group, WHATMORE, is an eclectic 5-piece consisting of high school friends, Cisco Swank, Yoshi T, Sebastiano, Jackson August (Vocals), and Elijah Judah (Producer). The group, serving as native New Yorkers, draws inspiration from everyday experiences, bridging their community and craft. It’s these urban experiences that have drawn in listeners all across New York. Although the group has gained a lot of traction, the members all state their identity as  “just a group of guys who make music .“ Meanwhile, WHATMORE is recasting traditional rap standards and heavily amplifying the Alternative Rap game.    



47Magazine had the opportunity to chat with WHATMORE as they cover topics surrounding their debut album, their collective sound as a group, and preparing for their first tour. 


This interview was conducted in person and has been edited for clarity.


[Harmony Robinson]: Which music video did you have the most fun filming?


[Sebastiano]: I definitely had the most fun filming the “chicken shop date” video. We filmed in the middle of the night, around 1:00 am. We had live chickens. Random people were coming in from the club next door just to check out what was happening. It was an unforgettable time, for sure.


[Cisco]: Lowkey, I would say the “eastside” video was actually kind of fire. We were on a bus, and everyone around was growing really tired of us, and we had to focus on dodging stop signs-


[Yoshi]: Don’t forget about those lights!


[Cisco]:  Yeah, we almost died. Not joking. 


[Yoshi]: My favorite was “Jenny’s” because we got to ride on The Cyclone twice.


[Jackson]: I gotta go “Chicken shop” with Seb. That might have been one of the wildest nights of my life. On top of filming with live chickens, we had some crazy interactions. People were coming off the street to see what was going on. Shoutout to the chicken shop; everyone who worked there was so chill.


[Elijah]: I agree. “Chicken shop” was definitely the craziest. 


[HR]: What's been the hardest part of creating the album, and what's the creative process behind it?


[Sebastiano]: Honestly, I don't even say there's a hard part, because making music with Whatmore-the homies-is easier than doing it by yourself. We just all get in a room together. Elijah's the glue to everything. We throw down ideas on whatever was produced, and it's like a puzzle piece after that, putting it together, figuring out where the verses and hooks go.


[Cisco]: Yeah, the hardest part for me was going into a rural area and making it because I don't like leaving New York. But as far as the creative process goes, Elijah makes a beat, and we all start rapping.


[Yoshi]: The creative process is mad fun because, honestly, it's like nothing I've ever done before. We create a 16-bar loop, record over it, and then, as Seb mentioned, it becomes a big puzzle piece. It's like, oh, this is the verse and this is the chorus. When you make music alone, you write it fluidly and it makes sense, but when you have five other people, you never know what someone’s going to do. So I might think I have the hook, but then it's like, oh, no, wait, this is just a fire post-chorus. Then someone else chimes in with, "Let's try this and try that," and it just works.


[HR]: Congrats on playing Coachella and opening for LAUNDRY DAY! How are you guys navigating the nerves of performing for such large crowds?


[Yoshi]: So the way we're preparing to perform for Coachella is every day we get together and we spend like 7 hours watching Bey-chella on repeat. Every. Single. Day. Then we pray to Queen B.


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[HR]: With everyone being from such different musical backgrounds, how did you all converge your different ideas onto the album? Upon listening, do you think there’s a uniform sound or is it a blend across genres?


[Cisco]: The thing is, we all listen to different stuff, like Elijah and I, even though we don't look like the indie kids of the group, we listen to some alternative music. All of us listen to whatever. Jackson listens to hip hop-he loves 21 Savage. Seb listens to K-pop,


[Jackson]: -I do love 21 Savage.


[Cisco]: So it's blended from our primary inspiration at the top of different genres, but it's just an easy mesh cause we all listen to different things. 


[HR]: I've been loving the visualizers you all have been putting out; it really feels like fans are navigating the music industry alongside you. What's one piece of advice you give to those just starting?


[Cisco]: You gotta go to Patrick, our videographer, for that one.


[Patrick Linehan ]: Find friends that you like making stuff with, and just start doing it. Don’t make excuses and don't be afraid to ask. You gotta be good at being told no.


[Jackson]  My biggest thing was don’t be afraid. This is so corny, but don't be afraid to fail. Don't be afraid to be corny. I feel like we've been failing and being corny for so long, with videos that no one saw because they were bad. We put in years of just doing that, and then eventually you get to a point where it’s like, oh, wait, like, this is kind of good; and I feel like we're still working at that, obviously.


[Yoshi]: Our videos aren't corny. They're compelling.


[Jackson]: You're not going to be amazing at first, so don't be afraid to f****** fail. 


[Cisco]  Also, take everything with a grain of salt. Everyone's gonna have an opinion. Appreciate the opinions of people above you, but if you think something's fire, you gotta stand by it. 


[HR]: What's one thing you want audiences to take away from the album?


[Elijah]: I just want people to feel like they know us a little better. I think that’s really the biggest thing. I want people to feel comfortable coming up to us and saying hi. I want people to talk to us about the music and how it influenced them. I want to know what it made them think and feel. 


[Cisco]:  We are regular people who love music, and today's the day, not tomorrow, not next week, lock in. 


[Jackson]: We are people. We're out here on the street, come say what up to us. That’s it, Whatmore 2025, we’re here!


Written by Harmony Robinson 

Photographed by Shane Allen & Razi Faouri


Listen to the album here and grab your tour tickets here!



Rather Be Lonely by DON WEST


Soulful and blue, deep alluring vocals entrance you to a musical paradise. A delightful love song with lyrics of devotion beside a heavy bass and slow tempo. Listening to “Rather Be Lonely” feels as though you're in a secluded underground jazz club sipping martinis. A gorgeous horn plays throughout with steady drums to keep the melody at bay, “What I would do to be next to you / I would climb the sun and the stars, steal you the moon.”


Losing Out by total tommy


Storytelling that paints the picture of deceit behind moody instrumentals. Whispered vocals hauntingly tell the story along a bass-heavy melody and thundering drums throughout. Lyrics tell the emotions behind holding a grudge against someone’s wrongdoing as a raging electric guitar ends the song powerfully, “Can’t make sense of your poor behavior / False pretense, you think you got away with it.”


crowd pleaser by TEHYA


As the first song released in her discography, “crowd pleaser” shows TEHYA’s idiosyncratic talent along with what to expect from her in the future. Her sound contains elements of digitized electronics and alt-pop, producing a unique song that's difficult to place into any box. The rhythm and tempo invite dancing with the catchy chorus to sing along to, “Head in my hands, just cautious.”


Nothings Into Signs by Casper Sage


Beginning the track off slow and steady with deep spoken vocals and strums from an electric guitar, “Nothings Into Signs” has lyrics that captivate you immediately. The rhythm switches up as the guitar continues to strum, but Sage’s flow picks up as gorgeous harmonies hum in the background. Consistent with a steady beat, the song’s writing is impressive as the rhythm begins to slow toward the end, “Feel the sky reaching for me / Ain’t the way I’ve been flying.” 


rodeo clown. by Casino Breakfast


A cheery melody and feel-good instrumentals blend perfectly with slightly raspy vocals. “rodeo clown.” has an infectious chorus that you can’t help but tap your foot and nod your head to. Guitar strums, quick drums, and distinctive lyrics produce a perfect alternative/folk track that ultimately gets stuck in your head, “I'm so sick of this cowboy, footing at my feet / Dance boy.”


she wants me too by wilt


With an invigorating sound and addictive instrumentals, “she wants me too” is a catchy upbeat track. Fast-paced drums start the song off strong as a piercing electric guitar enters smoothly. An indie rock/pop band creating music with honest lyricism that you can rock out to. Although buoyant, the song still contains moments of uncertainty producing something relatable and enjoyable, “I'll never think about it / Where things were headed, what fell through”.


what you doing? by MAR1ASOL


Soulful vocals pull you into a track filled with a special groove that cannot be recreated. A steady drum beat carries along a smooth percussion. Maria’s delivery of evocative lyricism and harmonies transport you to a more tranquil state of mind. The heavy bass incorporated with dazzling keys completes the song beautifully.

Under The Tree by Victoria Bigelow


Hypnotizingly raw, “Under The Tree” is a beautifully honest song with a sweet melody. A simple guitar strums throughout the track as Bigelow’s moody soft vocals hum into the tranquil bridge. Her vocal delivery is reminiscent of Lana Del Rey and her musical sound reminds me of Alexandra Savior. Through this, Bigelow creates music that is distinctive to just her, especially through her vivid lyrical storytelling, “I figured how to live with all this pain / I sing to that from whence I came / The dark beckons the flame.”


April by Local Natives


An immediate psychedelic trance takes over while listening to “April”, moving you through a sonic journey. Describing the sound to someone who’s never heard of Local Native, I’d compare this track to Tame Impala, that same dreamy, bass-heavy music that can stay on repeat because it’s just that good. Fluid harmonies throughout with a strong drum beat, soft guitar riffs, and synths that create an intoxicating melody, “​​Lights out on the way home / If you didn't know how I fеlt, April, now you know.”


Atlanta by Brother Zulu


Definition of a groovy and addicting melody right off the bat. “Atlanta” has this special rhythm and vocal harmony that locks you in. Captivating lyricism and a bouncy rhythm make it difficult to stay stagnant while listening. Analyzing the production, it is layered with gorgeous guitar strums, basslines full of soul, and deep evocative vocals, amongst other impressive elements. It’s a unique track filled with exciting musical twists and a skillful production, “Take me to Atlanta, baby.”


Cycle by Peel


A mesmerizing listening experience emerges as you begin “Cycle” by Peel. Synth forward and bass-heavy, this track contains a remarkable production with influences of psychedelia, digitized electronic elements, and riveting lyricism. Punchy drums stay consistent until the bridge highlights the haunting vocals and hazy instrumental and then enters powerfully once again, “Cycle, cycle, only one that I know / Only one in my head.”


Waste No Time by Astels


Deep, sultry vocal hums begin the track off with anticipation until the groovy beat enters. With genre influences ranging from a multitude of options such as R&B or funk, “Waste No Time” has a perfect blend of soulful vocals over an upbeat funky melody. Each chorus will hype you up with every listen, leaving a memorable impression on the duo. A little electronic infused with groovy basslines, and steady drums, “Even if I tried, I don’t wanna waste more time / Oh you gotta leave.”


Bababababy by Cupnoodle


An uplifting feel-good track whose clever lyrics depict the excitement of adoration and going for what you want. An electric guitar enters the pre-chorus as the rhythm picks up and the jazzy horns in the chorus further create an exciting and fun track. Snaps and drums keep this lively track cheerful as the flirty songwriting curates a danceable melody, “Can’t believe the way you got me stuttering / Again and again, I know I’m overthinking / But I’m done done done hiding what I’m feeling.”


Right Spot by HoneyLuv


An electronic dance track that screams we’re ready for warm weather and shorter nights. This is a song that I can hear being played out late at a Brooklyn venue in the middle of June where everyone just vibes. With pulsating synths, polished percussion, and a fidgety bassline line, HoneyLuv’s alluring vocals bring you into a trance beside the quickened rhythm, “Find me at 2 am on the dote.”

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